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| author | Nicholas Fox <nicholas.k.fox@gmail.com> | 2024-04-28 10:00:00 -0400 |
|---|---|---|
| committer | Zach DeCook <zachdecook@librem.one> | 2024-04-28 15:27:32 -0400 |
| commit | 7d54f355cd25fc97521fc84bd99f312bb6ede60f (patch) | |
| tree | a36f81684c9ec3d65a420144bf08badfa72f249d /build/.gitkeep | |
| parent | 3fa7fc324effcd74d23360335f402084f07ba97c (diff) | |
| download | HexBoard-7d54f355cd25fc97521fc84bd99f312bb6ede60f.tar.gz | |
This version has the mono/arpeggio buzzer fixed, includes scales for 53 72
BP alpha beta and gamma tunings, and has an additional color algorithm palette called "alternate" to choose from. In that palette, the key is always bright white, and the rest of the keys are colored based on how that color "feels" against the root key. for example, in 12-EDO, C is white. F and G are white-ish because they're basically perfect 5th or 4ths. D E A and B are orange because they're major intervals, C# Eb Ab Bb are sky blue because they're minor. F# is a tritone so it is hot pink. in 31-EDO, C F and G are the same., but there are more colors for different "flavors" of microtone. For example look at the keys D# Eb Ed E and E+. they're indigo (really flat, bluesy), blue/cyan (plain minor), green (neutral, kinda sick sounding), yellow (major, sunny), and orange/red (sharp, angry). this color theory is popular among some microtone folks, it's often called "Kite colors" after the guy who invented it, Kite Giedraitis. anyway, enjoy!
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