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authorNicholas Fox <nicholas.k.fox@gmail.com>2024-04-28 10:00:00 -0400
committerZach DeCook <zachdecook@librem.one>2024-04-28 15:27:32 -0400
commit7d54f355cd25fc97521fc84bd99f312bb6ede60f (patch)
treea36f81684c9ec3d65a420144bf08badfa72f249d /Makefile
parent3fa7fc324effcd74d23360335f402084f07ba97c (diff)
downloadHexBoard-7d54f355cd25fc97521fc84bd99f312bb6ede60f.tar.gz
This version has the mono/arpeggio buzzer fixed, includes scales for 53 72
BP alpha beta and gamma tunings, and has an additional color algorithm
palette called "alternate" to choose from. In that palette, the key is
always bright white, and the rest of the keys are colored based on how that
color "feels" against the root key.

for example, in 12-EDO, C is white. F and G are white-ish because they're
basically perfect 5th or 4ths. D E A and B are orange because they're major
intervals, C# Eb Ab Bb are sky blue because they're minor. F# is a tritone
so it is hot pink.

in 31-EDO, C F and G are the same., but there are more colors for different
"flavors" of microtone. For example look at the keys D# Eb Ed E and E+.
they're indigo (really flat, bluesy), blue/cyan (plain minor), green
(neutral, kinda sick sounding), yellow (major, sunny), and orange/red
(sharp, angry).

this color theory is popular among some microtone folks, it's often called
"Kite colors" after the guy who invented it, Kite Giedraitis.

anyway, enjoy!
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